Showing posts with label folk-punk. Show all posts
Showing posts with label folk-punk. Show all posts

Tuesday, March 1, 2011

Invaluable - Searching, Waiting

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Artist Website: Bandcamp
Netlabel Website: N/A

Track list:

1 - Atencion!
2 - Kyle Goodwin
3 - Depth
4- 2003
5 - Nationalistic Ties
6 - Capital Log

Download links: [Bandcamp]

I'm not sure why, but it seems that for many punk musicians, the progression to folk/acoustic music is a natural choice. Greg Graffin, Nikola Sarcevic and Frank Turner have all released fantastic solo folk albums, even though they've built their careers on the punk bands that they perform with. Whatever the reason, acoustic punk is something I always enjoy listening to, and Searching, Waiting by Invaluable is no exception.

On Invaluable's bandcamp page, frontman (and only man) Keith Baillargeon warns listeners that there is "no polish here folks, this is about as rough as they get." Personally, I've heard far rougher demos with much less polish. Even though the solo acoustic guitar and voice seem to leave the overall sound slightly anemic at times, Keith's playing is highly proficient for the style of music, and his voice was instantly reminiscent to me of such great punk vocalists as Jeff Rosenstock, Tomas Kalnoky, and Brian Fallon. The solid, slightly rough tone of his voice lends itself perfectly to his music, especially the more up-tempo tunes.

While there were a couple of tunes that didn't really do much for me (specifically Depth and Capitol Log), I enjoyed listening to the EP. The song 2003 was by far my favorite track of the bunch, and I couldn't help but imagine what the song would sound like with a full band to flesh out the sound a bit. Overall, Searching, Waiting is quite a solid demo/EP, and Invaluable shows quite a bit of promise as a solo musician. I only hope that Keith gets the chance at some point to record some of these songs with a few more instruments added into the mix.

Tuesday, August 3, 2010

Paul Baribeau - Unbearable

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Artist Website: Paul Baribeau
Netlabel Website: If You Make It

Track list:

1 - If I Knew
2 - Eight Letters
3 - How Could That Be True
4 - The Wall
5 - Rolling Clouds
6 - Blue Cool
7 - The Mall
8 - Poor Girls
9 - Black Strat
10 - Wild Eyes


Download links: [MP3]

While Paul Baribeau's unique, stripped down take on folk-punk certainly won't appeal to everyone (including some fans of the genre), his newest album Unbearable was recently offered as a free download through the indie/DIY website If You Make It, making it worth at least a listen or two.

For those listeners who haven't encountered Baribeau's work before, it's just Paul singing over his acoustic guitar. Most of his past songs (including the first few tracks from his previous album Grand Ledge) are played at an incredibly quick tempo, hence the "folk-punk" label. However, Unbearable marks several changes for Baribeau's sound; the overall tempo of the music being one of them. Right from the first track If I Knew, it becomes apparent that the feel of this album is decidedly more laid-back than his last full-length; with a more "rock" sound than punk. This isn't really a bad thing, and is actually quite refreshing, but fans of Baribeau's earlier music might mistake it as a lack of energy.

Another big change between Paul's last album and this one is the use of overdubs for the vocals. With Grand Ledge, it was a single vocal line and a single guitar line for every song. On Unbearable, several of the songs utilize a second vocal track during the choruses. Granted, most of the overdubs are just unison vocal lines, but it adds a bit of depth to the melodies, and makes it easier to stay focused on the music.

Track number four, The Wall brings about the last noticeable change between the two albums. The song opens up with Baribeau's signature acoustic guitar strumming, but also adds an electric guitar to play a few bars of melody before the vocals come in, and then also a little later in the song. This caught me a little by surprise, since every song of Paul's that I've listened to up to this point were just his voice and his guitar.

Other than the differences listed above, Unbearable still retains the simplicity and charm of Baribeau's past work. Most of the songs either focus on, or are indirectly about love, while other songs like The Mall and Rolling Clouds deal with activities that almost everyone did when they were younger, like riding bikes and going to the mall.

Even though Paul Baribeau's music might be considered "stripped-down" or "bare bones" by some, his easily relatable lyrics and charming vocals make Unbearable more than bearable to listen to.